Intense Rehearsals! Chapter 22

Up at the O'Neil they housed us in the dormitory at Conn. University. Here I was with some prominent playwrights that have had their works produced Off-Broadway plus some that ,like me, this was their big break. The grounds were beautiful with volley ball courts and plenty of land to hang out.

At the O' Neil ,as I said before. 16 new plays were done over a 4 week period. Each play had a very extensive rehearsal for 3 days then 3 performances with book in hand. This was a great idea on their part. It took away the obligation of memorizing the lines and also created the illusion of a work, if given a full production, would be much better.

In fact for a lot of these plays, the best rendition they received was at the O'Neil because even though it was only 3 days of rehearsal, it was very intense. You were required to carry the book even if you knew your lines so the audience, full of producers and agents, could use their imagination.

Now to get their as an actor in just 3 days meant that you had to make choices, usually your first instinct, and follow an objective. I was working with some really good actors but I was not intimidated at all because I had gone thru the mill the last few years and was confident that I would be equal to the task. I had really good parts over the 4 weeks that but socially I was like a kid in a candy store with no one around. What I mean is, in stead of networking and basically kissing ass, I succumbed to every temptation that came my way. There were many interns there that had not yet graduated from the conservatories and would flirt and offer themselves. Here my instincts of a sailor overcame my better sense. But still this lead to an even better job.